For as long as I can remember, I’ve been obsessed with cultural curiosities, extraordinary eccentrics, secret societies, decadent dandies, rebels, devils, and anything weird and wonderful. I parlayed a love of Word and Image into a career in the arts and worked for places including Tate, Thames & Hudson and the British Library. But to be honest with you, that was just a ruse so I could spend more time delving through interesting books and prints. Some people see the world a little differently; I think we all benefit by spending a bit of time in the company of their art. "It's the Ones Who've Cracked That the Light Shines Through."
While working in the British Library’s publishing department, I spent happy hours pondering "Over many a quaint and curious volume of forgotten lore." At some point, I stumbled on their collection of Early Modern ballads and pamphlets. I was entranced by the crude, bizarre, and often hilarious woodcuts that illustrated them, and set about collecting the most striking and amusing examples.
The sixteenth and seventeenth centuries saw an explosion of cheap printed materials, made possible by the advent of woodblock printing and mass-produced paper. Unlike expensively bound books, these broadsides were not produced for the intellectual elite, but pasted on walls and distributed among the masses. They uniquely capture the obsessions of the time; namely monsters, witches, alcohol, and scandal.
Lanarkis one of those books that you can read at different points in your life and find something completely new. There are two intertwined narratives: a coming of age tale about a young artist growing up in Glasgow; and a genre-bending depiction of a lifetime in the fictional city of Unthank. These two stories pull you across time and space, taking in Reichian psychology, social commentary, and gnostic illuminism along the way. It’s bewildering in its scope, but drags you steadily in. I studied History of Art at Glasgow University (and briefly met Gray in the city), but even if you’ve never heard of Glasgow, there is so much here to enjoy. It’s quite possible that you’ll never be the same again after reading it.
'Probably the greatest novel of the century' Observer 'Remarkable' William Boyd
Lanark, a modern vision of hell, is set in the disintegrating cities of Unthank and Glasgow, and tells the interwoven stories of Lanark and Duncan Thaw. A work of extraordinary imagination and wide range, its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love, and yet our compulsion to go on trying.
First published in 1981, Lanark immediately established Gray as one of Britain's leading writers.
This is the first volume of a trilogy on psychoactive plants and synthetic drugs. While this is a well-worn path, I’ve never seen it traversed quite like this. Pendell weaves together science, alchemy, illustrations, poetry, and quotations to reveal the spirit behind each molecule he discusses. The sections on stimulants are the longest and most enthusiastic, while the hallucinogens are given the most whimsical prose. It’s a fascinating treatment of a fascinating subject. Some will hate it, but the right person will love it.
***This paperback edition has a new introduction by the author and updated content.
This is the first volume of North Atlantic Books’ updated paperback edition of Dale Pendell’s Pharmako trilogy, an encyclopedic study of the history and uses of psychoactive plants and related synthetics first published between 1995 and 2005. The books form an interrelated suite of works that provide the reader with a unique, reliable, and often personal immersion in this medically, culturally, and spiritually fascinating subject. All three books are beautifully designed and illustrated, and are written with unparalleled authority, erudition, playfulness, and range.
Leonora Carrington is one of those amazing, other-worldly, individuals whose life story you can’t quite believe. After an aristocratic upbringing in England, she joined the surrealists in Paris, ran off with Max Ernst, was later sectioned, escaped an asylum, studied Kabbalah, and helped found the women’s liberation movement in Mexico. She is mostly known for her painting but does not receive the recognition she deserves. Her novel The Hearing Trumpet starts off slightly surreal, then takes a hard left turn and becomes increasingly more surreal. I won’t say more for fear of spoiling it, but it’s a beguiling and funny meditation on gender, age, and death. If you don’t know her, this book would be a wonderful intro to her work.
An old woman enters into a fantastical world of dreams and nightmares in this surrealist classic admired by Björk and Luis Buñuel.
Leonora Carrington, painter, playwright, and novelist, was a surrealist trickster par excellence, and The Hearing Trumpet is the witty, celebratory key to her anarchic and allusive body of work. The novel begins in the bourgeois comfort of a residential corner of a Mexican city and ends with a man-made apocalypse that promises to usher in the earth’s rebirth. In between we are swept off to a most curious old-age home run by a self-improvement cult and drawn several…
How can you have a list of cult books without William Burroughs? I nearly put some Burroughs on this list, but as this is for hard-to-impress fans of cult books, you’ve probably already read him. I was also tempted to include Hakim Bey’s Temporary Autonomous Zone, but again, you’ve probably already read him (or object to him on reputation alone). Michael Muhammad Knight takes on both these figures while attempting to write the Great American Queer Islamo-Futurist Novel. Contains hip-hop history, gay fiction, and sacrilege – what’s not to like? A blasphemous blend of autobiography and literary experimentation.
When Michael Muhammad Knight sets out to write the definitive biography of his “Anarcho-Sufi” hero and mentor, writer Peter Lamborn Wilson (aka Hakim Bey), he makes a startling discovery that changes everything. At the same time that he grows disillusioned with his idol, Knight finds that his own books have led to American Muslim youths making a countercultural idol of him, placing him on the same pedestal that he had given Wilson.
In an attempt to forge his own path, Knight pledges himself to an Iranian Sufi order that Wilson had almost joined, attempts to write the Great American Queer…
A hugely ambitious mix of text and graphic design, in which typography is used in bold and disarming ways. It is also a genuinely compelling sci-fi novel about very, very, big ideas. Filled with meta-narratives, in-jokes, artistic references, and mixed media, it’s an interesting alternative to that other oft-cited cult classic House of Leaves. As someone who has worked as both designer and editor, I was blown away by Hughes’s ability to combine a good story with such avant-garde design. The themes communicated will give you much to contemplate – or ramble on about to any friends you successfully corner. A staggering achievement destined to be a future cult classic.
A boundary pushing, extremely inventive sci-? epic of ?rst contact by world-renowned graphic designer and comics creator Rian Hughes
When a signal of extraterrestrial origin is intercepted by one of Earth s most powerful radio satellites, people worldwide, including a small team of tech outsiders at a software engineering ?rm specializing in arti?cial intelligence, race to interpret the message carried by what could be the ?rst communication from an intergalactic civilization. Has humanity made ?rst contact? Is the signal itself an alien life-form? A threat? If so, how will the people of Earth respond?
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's being investigated for a horrific crime.
As Stan tells his story, from his origins as an Anatolian sheep farmer to his custody in a Toronto police interview room, he brings a wry, anachronistic perspective to three thousand years of Western history. Call Me Stan is a Biblical epic from the bleachers, a gender fluid operatic love quadrangle, and a touching exploration of what it is to outlive everyone you love.
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one cross over. Stan has been a Hittite warrior, a Roman legionnaire, a mercenary for the caravans of the Silk Road and a Great War German grunt. He’s been a toymaker in a time of plague, a reluctant rebel in the Peasants' Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's…
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